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Heinrich Schütz (October 9, 1585 – November 6, 1672) was a German composer and organist, generally regarded when a first German composer prior to Johann Sebastian Bach and is often considered to become one of a first composers of the 17th century along with Claudio Monteverdi. He wrote what is thought to exist as a 1st German opera, Dafne, performed at Torgau in 1627; however, a music has since been misused.
Life
Schütz was innate around Köstritz; his musical talents were discovered by Moritz von Hessen-Kassel in 1599. Fallowing existence the choir-boy he went in to learn law at Marburg before going to Venice from 1609-1613 to study music with Giovanni Gabrieli. He later on got the short stint when organist at Kassel before moving to Dresden in 1615 to work when court composer to the Elector of Saxony.
He held his Dresden post until a prevent of his life (sowing a seeds of what is nowadays a Dresden Staatskapelle while there), but left Dresden itself inside many occasions; in 1628 he went to Venice once again, virtually all belike meeting Claudio Monteverdi there—he may use at times exposed sustaining him—& within 1633, after a Thirty Years' War had disrupted life at the court, he took the post at Copenhagen. He returned fully instance to Dresden around 1641, and remained there for the rest of his life. He died from either the stroke in 1672 at the age of 87.
Style
Schütz's compositions indicate a influence of his deuce independent teachers, Gabrieli (displayed virtually all notably by using Schütz's utilise of glorious polychoral and concertato styles) and Monteverdi. In addition, a influence of the Netherlandish composers of the 16th century is also large inside his act. His better known works come in the field of sacred music, ranging from either solo voice sustaining implemental accompaniment to a cappella choral music. Representative works include his troika books of Symphoniae sacrae, a Psalms of David, a Sieben Worte Jesu Christi am Kreuz (a Seven Survive Words on the Cross) & his troika Passion settings. Schütz's music, when starting remove inside the virtually all progressive styles early in his career, in time grows into the style that is elementary & most austere, culminating by using his late Passion settings. Practical considerations were sure as shooting responsible a portion of this vary: a Thirty Years' War experienced devastated a musical infrastructure of Germany, & it was there are no elongated practical or imaginable to wear a mammoth works in the Venetian style which marked his earlier period of time.
Schütz was one of the previous composers to write around a modal way, with non-functional harmonies typically following from either a interplay of voices, although his music typically shows hard tonal counsel whilst approaching cadences. His music makes extensive utilize of imitation, around which entries typically are in irregular the correct sequence & at varied intervals. Fairly characteristic of Schütz's writing come acute dissonances from either deuce or other voices moving right across dissoances against a silent harmony. Above completely, his music displays extreme sensitivity to the accents & meaning of the text, which is typically conveyed applying favorite technical indicator numbers drawn from either musica poetica, themselves drawn from or even created inside analogy to the verbal numbers of Classical Rhetoric.
About there is no lay music by Schütz has survived, save for two or three domesticated songs (arien) & there are no strictly implemental music a least bit (unless a single numbers the short subservient movement entitled "sinfonia" that encloses a dialogue of Die sieben Worte), potentially though he got a reputation when one of the finest organists within Germany.
Schütz was of awesome importance inside bringing fresh musical comedy ideas to Germany from either Italy, & per se got the big influence on the German music which was to watch. A style of the in the north German organ school derives largely from either either Schütz (also when from Netherlander Jan Pieterszoon Sweelinck); a century late this music was to culminate in the function of J.S. Bach.
Works
A as a result come published works. Virtually all one contain multiple pieces of music; there are ended D sum surviving single pieces by Schütz.
Il primo libro diamond state madrigali (1st book of madrigals) (Venice, 1611)
Psalmen Davids (Book I) (Dresden, 1619)
Historia 500 frölichen und siegreichen Aufferstehung ... (History of the Resurrection of Jesus) (Dresden, 1623)
Cantiones sacrae (Freiberg, 1625)
Psalmen Davids (Book Two) (Freiberg, 1628)
Symphoniae sacrae (Book One) (Venice, 1629)
Musicalische Exequien (Dresden, 1636)
Kleiner geistlichen Concerten (Book One) (Leipzig, 1636)
Symphoniae sacrae (Book Two) (Dresden, 1647)
Geistliche Chor-Music (Dresden, 1648)
Symphoniae sacrae (Book Three) (Dresden, 1650)
Zwölff geistliche Gesänge (Dresden, 1657)
Psalmen Davids (revision of Book Two) (Dresden, 1661)
Sources
Manfred Bukofzer, Music in the Baroque Era. Just released York, W.W. Norton & Co., 1947. ISBN 0393097455
Basil Smallman: Heinrich Schütz, The Master Musicians, 2000.
Tamsin (nee Tristan) Jones, "Passions in Perspective: An Analytical Discussion of the Three Passions of Heinrich Schütz (1585-1672) against their Historical and Stylistic Backgrounds" (Ph. D. thesis, University of Birmingham, 2000)
Heinrich Schütz: "Geistliche Chor-Music, Op. 11." Emended by Andrew Thomas Kuster. Ann Arbor, MI, 2005. ISBN 1411642430.
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